Antananarivo Madagascar Music
Most New Yorkers have never heard of Mika, the guitarist popular in Madagascar, but a small community of Malagasy natives is eagerly awaiting his arrival. Many of the thirty or so attendees have not been to Madagascar for years and so many of them have asked him on their chairs for the latest news.
Antananarivo is home to one of the largest centralized public university systems in the world, with over 1,000 students, and it was here that the first law master was realized and L'Express de Madagascar was founded. Austin Doane, whom I met in New York, said he has mentored musicians in about 50 countries, but he is still amazed at how quickly he and his fellow musicians, some of whom he met during a stay in Madagascar, have learned how to learn.
The unique flora and fauna, combined with the loss of habitat due to rapid environmental degradation, has made Madagascar one of the most biodiverse countries in the world, and the capital of Madagascar and its surroundings offer a unique opportunity to discover the culture of the island. There are also a number of musicians who have left Madagascar to earn their living in Europe, but many of them remain in Madagascar. Many migrants, many from Africa, Asia and Latin America, travel only occasionally to Europe. Tourists usually prefer the coast, and some keep their homes in Antananarivo, a city of about 1.5 million people and a population of about 2 million.
Some are trying to give new impetus to the traditional music of Madagascar. In addition, artists such as Tence Mena, Vaiavy and Chilla will blend classical sounds with new approaches such as the use of electronic music, electronic dance music and electronic percussion.
Rajaonah has been studying yam for more than 15 years and is an expert in the study of traditional music in Madagascar and the history of music in Africa. Tsipras Andriamoratsirey has earned a reputation as one of Africa's most influential and influential musicians. Through his stay in Africa, he has assumed a cultural plurality that has created a posteriori an inventive aura around him.
Although the director mixes drama and documentary to highlight the country's rich and diverse artistic traditions, the true star of Haingosoa is Madagascar's music. Madagascar's musical instruments and vocal styles represent a very local tradition. Jenny feels lucky to be surrounded by a diverse group of talented musicians from all over the world, not only from Madagascar but also from other parts of Africa. In short, there is a wide variety of music styles, from traditional to modern, traditional and modern.
The same is true of the ternary rhythm, which is present in hundreds of versions, but otherwise you will find a wide variety of musical styles, from traditional to modern, modern to traditional and modern.
In the world of music, everything grows in the same way, from the simplest rhythms to the most complex and complex melodies.
Today, with the arrival of the Internet, Madagascar's traditional music remains alive and is refreshed by new contributions. Madagascar is inhabited by a diverse group of cultures, from the Austronesian, African, Arab and European, and their contributions have formed the basis for the music and culture of many countries of the world, as well as the musical history of Madagascar. All this began to have a significant influence on the music of Africa and Madagascar in the 19th century, especially in Africa, Asia and Africa.
As the first such foundation in Madagascar, the MRF recognizes that inspiring people to become better musicians is crucial not only culturally, but also for personal development. There is a strong interest in promoting the development of music in the country, but also in other parts of Africa and the world.
In the 1950s and 1960s, African tunes were adapted for local audiences and cover versions of European and American hits were played. Many Western styles of popular music, including jazz, rock, blues, folk, classical, jazz - rock and pop, gained popularity. In some cases, styles from abroad were merged with existing Malagasy musical traditions to create a distinctly foreign sound with foreign roots. The national and transnational cultural diversity, which is presented in a very different and positive light, therefore means that musicians who come from different regions of Madagascar but who today live in different parts of the world are united.
Meanwhile, according to Joubeaud, the fictional dance space Haingo, provided by Randria Ernest & Company in Antananarivo, is the first of its kind in the country. The research reaches the public and at the same time supports musicians who are involved in a wide range of musical activities such as jazz, blues, folk, classical, jazz - rock and pop. This underlines the importance of research to share the stories of groups that continue to live in Madagascar and illustrate the diversity of music and its role in Madagascar's cultural heritage.